Audio recording made easy.
Don’t let the classic analog mixer design fool you—the StudioLive® AR12c was built to record. With a pristine analog front-end, eight high-gain XMAX mic preamps, and a 14x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single, intuitive console. Add in a musical 3-band analog EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.
A full-featured audio interface.
The StudioLive AR12c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 12 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks—plus a click. Eight lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C compatible connection, your StudioLive AR12c is ready to use as an audio interface for nearly any computer.
The channel that does it all… even Bluetooth connectivity!
The unique Super Channel can handle four stereo sources at once, making it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap.
All the connections you need with a familiar look.
Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR12c is the ultimate recording solution. The four mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus’ famed XMAX mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR12c audio interface will be the center of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR12c is the perfect recording and mixing solution for the modern musician and content creator.
PreSonus StudioLive AR12c 12-channel Analog Mixer USB-C™ Compatible Interface
Specs
Computer system requirements:
Below are the minimum computer-system requirements for use with Capture™ and Studio One®.
Mac
- macOS® 10.11 or higher (64-bit only)
- Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
Windows
- Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
- Intel Core 2 Duo (Intel Core i3 or faster recommended)
Mac and Windows Systems
- 4 GB RAM (8 GB or more recommended)
- 30 GB hard-drive space (Studio One)
- Internal or external 7200 RPM storage drive highly recommended
- Monitor with 1366x768 resolution (high-dpi monitor recommended)
The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
Microphone Preamp |
|
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Type | XLR Female, Class A XMAX |
Maximum Input level (unity gain) | +9 dBu ±1.0 dB |
Gain Control Range | 43 dB (+12 to +55 dB) |
Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/- 1.5 dB |
S/N Ratio to Outputs (+4 dBu) | 94 dB |
THD+N (min. gain, A-wtd) | < 0.01% |
Input Impedance | 1 kΩ |
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) | Mono Channels: < 128 dBu |
Common Mode Rejection Ratio (1 kHz, +55 dB gain) | 65 dB |
Phantom Power | +48V, ±3V, Global |
Instrument Inputs |
|
---|---|
Type | ¼” TS Female, Unbalanced, Hi-Z |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +9 dBu ±1.0 dB |
Gain Control Range | 43 dB, ±1 dB (+12 to +55 dB) |
Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (min. gain, A-wtd) | > 105 dB |
Dynamic Range (mid. Gain, unwtd) | > 108 dB |
THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
THD+N (1 kHz, -1 dBFS, unwtd) | < 0.01% |
Input Impedance | > 1 MΩ |
Line Inputs |
|
---|---|
Type | ¼” TRS Female, Balanced |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +26 dBu ±1.0 dB |
Gain Control Range |
Mono Channels: 40 dB, ±1 dB (-5 to +35 dB) Stereo Channels: 0 dB or +10 dB (+10 dB Boost) |
Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
S/N Ratio to Analog Outputs (+4 dBu) | 85 dB |
THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
Input Impedance (Balanced) | 10 kΩ |
Main, Control Room, Monitor, and FX Outputs |
|
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Type (Main Outputs) | XLR Male, Impedance Balanced |
Type (Control Room, Monitor, FX Outputs) | ¼” TRS Female, Balanced |
Rated Output Level (Main Outputs) | +24 dBu, ±1.0 dB |
Rated Outputs Level (Control Room, Monitor, FX Outputs) | +18 dBu |
Frequency Response | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (A-wtd) | > 108 dB |
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) | < 0.01% |
Output Impedance | 100 Ω |
Headphone Output |
|
---|---|
Type | ¼” TRS Female, Stereo, Unbalanced |
Maximum Output Level | 150 mW/channel @ 60 Ω |
Frequency Response | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (A-wtd) | > 103 dB |
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) | < 0.01% |
System Crosstalk |
|
---|---|
Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) | -90 dBu |
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) | -85 dBu |
Signal Level LED |
|
---|---|
Signal | -30 dBFS (pre-EQ) |
Clip | -3.0 dB before clip (pre- or post-EQ) |
Channel EQ |
|
---|---|
Low Cut | 100 Hz, -18 dB/Octave |
High Shelving | ±15 dB @ 10 kHz |
Mid Peaking (Mono Channels) | ±15 dB @ 140 Hz to 3.5 kHz (variable) |
Mid Peaking (Stereo Channels) | ±15 dB @ 2.5 kHz |
Mid-Band Q | Boost: 1.0, Cut: 2.5 |
Low Shelving | ±15 dB @ 100 Hz |
Digital Audio |
|
---|---|
Host Interface | USB 2.0 |
ADC Dynamic Range (Component) | 114 dB |
ADC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
DAC Dynamic Range (Component) | 114 dB |
DAC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
Signal-to-Noise (a-weighted) | -96 dB |
Bit Depth | 24-bit |
Internally Supported Sample Rates | 44.1, 48, 88.2, 96 kHz |
Jitter | < 80 ps RMS (20 Hz – 20 kHz) |
Jitter Attenuation | > 60 dB (1 ns in => 1 ps out) |
SD Recorder |
|
---|---|
Supported Media Format | FAT16 formatted SD™ card, FAT32 formatted SDHC™ card |
Media Storage Capacity | SD card: 2 GB; SDHC card: 32 GB |
Recording File Format | Stereo WAV |
Playback File Formats | Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz) |
Sampling Rate (WAV) | 44.1 kHz |
Bit Depth |
Recording: 24-bit Playback: 16- or 24-bit |
Power/Environmental |
|
---|---|
Connector | IEC |
Input Voltage Range | 90 to 240 VAC |
Recommended Ambient Operating Temperature | 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
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Height | 3.5” (89 mm) |
Width (Chassis only) | 15” (381 mm) |
Depth | 15.6” (397 mm) |
Weight | 11.9 lbs (5.4 kg) |